Selin Çınar, famend below her moniker “Axstone,” is a standout Turkish illustrator who masterfully melds the outdated with the brand new. With a profession spanning over 15 years, Çınar has not simply left her mark throughout the conventional artwork world however has additionally embraced the ever-evolving digital realm, the world of NFTs.
Selin Çınar (Axtsone)
Selin’s artwork is an intricate dance of innovation, enjoyable, and nostalgia. One is immediately reminded of classic laptop video games and MS-DOS icons upon viewing her items – a testomony to her early encounters with gaming that incited a novel model of pleasure in her. This love for retro parts, coupled together with her penchant for detailing, characterizes her work. Her type encapsulates the essence of her childhood, permitting viewers a glimpse into the early recollections and passions that formed her.
Furthermore, Çınar doesn’t bind herself with a strict artistic process. The artist who as soon as meticulously sketched earlier than crafting her illustrations now leans into spontaneity. Weird animals, quirky human expressions, and, after all, retro laptop graphics are the standard suspects in her inspiration lineup.
It’s no shock that Çınar’s distinctive type has garnered consideration from prestigious manufacturers and artists alike. With collaborations boasting names like Apple, Nike, and Mercedes Benz, Selin’s footprint is clear throughout varied trade spectrums. Moreover, her synergy with the music world has led to noteworthy album cowl designs for artists reminiscent of The Upbeats and Kazi, underscoring her long-held ardour for music.
Her achievements aren’t restricted to collaborations. The worldwide artwork group has spotlighted Selin’s works in elite publications like Vogue and Hifructose. To not point out, her illustration credit embrace the quilt artwork for Gabriel Garcia Marquez’s “One Hundred Years Of Solitude,” printed by Can Publishing.
Embracing the Digital Period
Selin’s enterprise into NFTs is a testomony to her adaptability and curiosity as an artist. After her introduction to the idea on Clubhouse and witnessing Beeple’s involvement, she took the plunge in June 2021. It’s a pure evolution for an artist who enjoys diversifying her artwork throughout platforms.
“As an artist, I get pleasure from integrating my artwork throughout varied platforms, and Internet 3 is one in all them.”
Selin Çınar
With desires of settling in Japan and an unwavering dedication to her craft, Selin Çınar continues to intrigue and encourage. In a world the place artwork always evolves, Çınar stands as a beacon of nostalgia, element, and innovation, providing us a ticket to journey by means of her distinctive inventive universe.
We had the chance to ask Selin Çınar a couple of questions on NFTs and her inventive journey of 15+ years.
nft now: How did you first grow to be /concerned in NFTs?
Selin Çınar: I uploaded my first NFT work in June 2021. I stumbled upon NFTs for the primary time in a Clubhouse house the place folks have been discussing them. I grew to become curious and began researching. I noticed some information relating to Beeple’s work, which i used to be already a fan of, on his IG tales about Web3 and determined to provide it a shot. I’ve been creating works as an illustrator for about 15 years. As an artist, I get pleasure from integrating my artwork throughout varied platforms, and Internet 3 is one in all them.
nft now: How would you describe your artwork?
Selin Çınar: I’d describe my artwork as modern, enjoyable, and wealthy intimately with old-school parts. I loved spending time with video video games from a younger age. My first ever laptop ran on the MS-DOS system. Each time I noticed its icons and video games I felt a fantastic sense of pleasure. That type of expertise influenced me. I take immense pleasure in incorporating something from my early years into my work. I can outline myself as an artist who attracts inspiration from her childhood.
nft now: What’s your course of like? And the place do you often discover inspiration?
Selin Çınar: I’m not the type of one that thinks excessively earlier than beginning a chunk. It’s arduous to say something clear about my course of. Previously, I often made sketches earlier than beginning my illustrations, I don’t do this anymore. Now I are typically spontaneous and generally I take the other strategy. I’m often impressed by weird animals and nature. Retro parts reminiscent of outdated laptop graphics and video video games, bizarre human expressions, and their distinct types additionally play an enormous half in my artistic course of.
